Short screenplay for the Southern_Land's March 2019 contest.

LAST STOP FADE IN: EXT. DARK DESERT HIGHWAY - DUSK A SPORTS CAR zooms along, leaving a cloud of dust behind. INT. SPORTS CAR - MOVING - DUSK THE DRIVER is young, handsome, wind ruffles his hair. His eyes flicker to the horizon -- sun's going down. He switches on his headlights. EXT. SPANISH MISSION - DUSK A BELL TOLLS as the sports car zooms by. INT. SPORTS CAR - MOVING - DUSK The Driver stifles a yawn. Man, it's been long day. INSERT DRIVER'S POV - the road ahead blurs. The Driver's eyelids droop, tiredness overtakes him and just for a second he's driving with his eyes closed. He starts awake! Grips the wheel. Man, that was crazy! Up ahead on the road -- a shimmering light. He frowns, not sure what it is. The sun sinks below the horizon, transition to NIGHT. EXT. HOTEL IN THE DESERT - NIGHT The source of the light. The sports car approaches, slows. INT. SPORTS CAR - MOVING - DUSK The Driver debates, stop or go on? EXT. HOTEL IN THE DESERT - NIGHT A beautiful young Mexican woman stands in the doorway, light framing her divine form, shining off her lustrous hair. This is MERCEDES. INT. SPORTS CAR - MOVING - DUSK The Driver slows and pulls into the hotel parking lot. There are other cars here, he finds an empty spot, switches off his headlights and engine. Mercedes still stands in the doorway, staring at him. The Driver just sits in his car, drinking her in. Her full lips twist into a knowing half-smile that could denote amusement or cruelty. She turns and goes inside. The Driver opens his door and climbs out. He locks the sports car and spins his keyring around his finger like a gunfighter spinning a six-gun. He heads on inside. INT. HOTEL RECEPTION - NIGHT The Driver stops. The place is eerily lit by candles on the walls, like the interior of a spooky old church. Mercedes stands behind the reception counter. THE DRIVER You got any rooms? MERCEDES I have a room for you, yes. THE DRIVER How much does it cost? MERCEDES Let's worry about that later. She picks up a candelabra and leads the way to an inner hallway. She looks back over her shoulder at him with seductive eyes. The Driver has a "Wow, what?" moment. He follows her. INT. CORRIDOR - NIGHT Mercedes walks ahead, her candles casting light. His gaze takes in her swaying hips. THE DRIVER Nice place you got here. Very atmospheric. He pauses as he hears WHISPERING VOICES that seem to come from all around. Suddenly they stop, leaving him puzzled. Mercedes stands waiting at a door up ahead. She watches him curiously. He hurries to join her. THE DRIVER Sorry, I thought I heard something. She opens the door wide, revealing a bedroom. INT. BEDROOM - NIGHT Four-poster bed, antique furniture, mirrors on the ceiling. Mercedes puts the candelabra down. THE DRIVER Hey, this is nice. I'm not sure I can afford it, though. MERCEDES This is my room. I thought you might want to sleep here. THE DRIVER Where are you going to sleep? MERCEDES With you. THE DRIVER Huh. MERCEDES Does this surprise you? He turns and closes the door. THE DRIVER I just wanted to be sure. She removes her dress, not taking her eyes off him. He can't take his eyes off her either, he's hypotized. She is naked and she is beautiful and she comes into his arms. She reaches up and gently touches his cheek. MERCEDES Such a lovely face. She kisses him passionately. He returns the favor. INT. BEDROOM - NIGHT LATER. They lie together in bed, asleep. The Driver wakes up. He stares at his own reflection in the ceiling mirror. He frowns and looks at the window, as if he's heard something. He slips out of the bed without waking Mercedes and moves to the shuttered window. He cautiously opens one of the shutters, just an inch. EXT. HOTEL COURTYARD - NIGHT A dozen MEN AND WOMEN wearing hooded robes dance in a slowly moving circle, waving their arms around while they gaze up at the stars, as if they're all high as kites. INT. BEDROOM - NIGHT The Driver has no goddamn idea what's going on. He JUMPS as he realizes Mercedes is standing beside him. THE DRIVER Jesus. Mercedes closes the shutter. THE DRIVER What are they doing? MERCEDES I am not certain. I think perhaps some dance to remember. And some dance to forget. There is no need to concern yourself. She melts against him and pulls him down to kiss him. MERCEDES Let's go back to bed. THE DRIVER I could do with a drink, how 'bout you? MERCEDES I'm okay. THE DRIVER They do room service? MERCEDES Yes, the night captain is always available. The Driver slips out of her embrace, picks up the phone receiver and dials. Distant RINGING... then a TINNY VOICE speaks, but we can't make out the words. THE DRIVER (INTO PHONE) Hey, how about sending a bottle of Jack and the biggest plate of chicken wings you got along to...? He looks at Mercedes, she's sitting on the bed, pretty as a picture, thinks nothing of being naked. MERCEDES Room Thirteen. THE DRIVER (INTO PHONE) Send them to Room Thirteen. The TINNY VOICE speaks... The Driver listens, frowns... THE DRIVER (INTO PHONE) What d'you mean, you haven't had that since...? The TINNY VOICE says something else. THE DRIVER No, I don't want goddamn pink champagne, with or without ice. The Driver hangs up and looks at Mercedes. THE DRIVER I don't want to complain after you took me to bed and all, but your room service sucks. MERCEDES I am sorry. THE DRIVER Hey, it's not your fault. He cocks his head as if he's heard something. And now we hear it too, those WHISPERING VOICES again. The Driver goes to the window and opens the shutter again. EXT. HOTEL COURTYARD - NIGHT This time the courtyard is empty, everyone's gone. INT. BEDROOM - NIGHT The Driver turns from the window. He still hears those WHISPERING VOICES. Puzzling as heck. THE DRIVER You hearing that, too? Mercedes shrugs a shoulder, non-commital. The Driver strides to the door, opens it. INT. CORRIDOR - NIGHT The Driver sticks his head out into the corridor. He looks left and right. Sees nothing out here. INT. BEDROOM - NIGHT The Driver finds his shirt and pants and puts them on. He slips into his shoes. MERCEDES Please stay with me. THE DRIVER I'll be back in a tick. Keep it warm. He exits. INT. CORRIDOR - NIGHT WHISPERING VOICES come from everywhere. The Driver strides along the corridor, seeking the source. He passes a set of double doors. He stops, backtracks. He puts an ear to the wood and listens. He hears a HUBBUB OF ANGRY VOICES AND SCREAMS, as if there's some kind of fight going on in there. He throws both doors open. INT. DINING ROOM - NIGHT The hooded men and women he saw in the courtyard are all in here, surrounding a big table, chairs have been thrown aside so they can get to-- A wriggling monster whose thrashing tentacles keep the hooded people at bay, while they try to slash at it with knives. It has a dozen huge eyeballs, on stalks. A tentacle bats a man across the room, he thumps into the wall and slides down. A woman screams as she's grabbed and lifted off her feet, another tentacle wraps itself around her neck and pulls her head clean off. Knives cut into the creature's pulsing body, causing it to leak bright green blood. A man jumps up onto the table and cuts off one of the big eyeballs. A tentacle skewers him through the chest, emerging from his back in an explosion of blood. A woman being held by tentacles shouts to The Driver, frantically indicating a silver bowl at the end of the table that's filled with a bubbling, steaming liquid. FRANTIC WOMAN Get the binding fluid! Get the binding fluid! The Driver backs out of the room, pulling the twin doors shut behind him. Sounds of the struggle continue inside. He hurries back to the bedroom, throws the door open. INT. BEDROOM - NIGHT The Driver looks in -- but Mercedes isn't here. INT. CORRIDOR - NIGHT He hurries back along the corridor. The WHISPERING VOICES get louder and louder. He claps his hands over his ears, wanting them to stop! INT. HOTEL RECEPTION - NIGHT The Driver hurries in from the corridor. He stops when he sees the NIGHT CAPTAIN behind the counter, a mustached man wearing a uniform with gold braid. NIGHT CAPTAIN Are you checking out, sir? THE DRIVER You bet. Goodnight! The Driver heads for the front door, he grasps the handle, turns it, tries to open the door. It won't budge. THE DRIVER What gives? Unlock it. The Night Captain looks sad. He shakes his head. The Driver gapes as the hooded men and women flood out of the corridor and spread out around him. One of them throws back her hood -- it's Mercedes. NIGHT CAPTAIN Did you take his seed, daughter? MERCEDES It flows within me. NIGHT CAPTAIN Then let his blood appease the old one's hunger. HOODED MEN AND WOMEN Appease the old one's hunger. The Driver looks from Mercedes to the Night Captain to the hooded lunatics, trying to follow what they're saying. NIGHT CAPTAIN Take him! The Driver pulls out his keyring and spins it around as if it's a ninja weapon. THE DRIVER Come and get it, freaks! They dive on him and overwhelm him and bundle him away. THE DRIVER (O.S.) No! NO! The crowd vanishes, taking The Driver with them. Only Mercedes remains. Regret shows in her expression. She wipes a tear from her eye. Then she turns and follows the crowd. The Night Captain looks directly into camera. And in the most sinister voice ever heard, says: NIGHT CAPTAIN You can check out any time you like. But you can never leave. FADE OUT Mar 2019

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