Scriptment from the Done Deal Valentine's Day 2012 contest "There's Something About Ursula" FADE IN: EXT. CEMETERY - NIGHT A wrought-iron sign, MORDANT CEMETERY, over stone pillars. Camera moves through the sign, which busts apart, just like in that old B/W movie made by that guy. Tracking a WOMAN wearing a long coat who enters the cemetery. Her high heels click on the slab path that winds between a sea of tombstones. She walks with a slow, measured step. She's the only person in the cemetery. Except for... HIDING IN THE BUSHES Just a pair of eyes visible, wide with fear, watching. AMONG THE TOMBSTONES The woman slows as she examines various tombstones. IN THE BUSHES A digital camera, held by shaky hands. AMONG THE TOMBSTONES Finally the woman stops at a particular grave, her back to us. IN THE BUSHES The digital camera CLICKS AMONG THE TOMBSTONES The woman straightens -- turns her head -- looks over her shoulder. Her eyes narrow. She heard it. This is URSULA. Possessing a cold beauty that might be described as otherworldly, if the person doing the describing was high on meth. IN THE BUSHES The photographer scrambles back, movements dictated by his growing terror. This is GRANT. Doomed to forever be a nerd, and probably a virgin too, until he dies alone in front of a widescreen TV watching nude cheerleaders making love. Grant gets up and runs away as if demons from Hell were chasing him. He clutches the digital camera to his chest. AMONG THE TOMBSTONES Ursula ignores the distraction and returns her attention to the tombstone at which she stands. She seems to address the tombstone... or whoever rests here. URSULA Tell me everything you know. EXT. TIPSY CAT RESTAURANT - DAY It's morning so the place is empty of customers. WILLIE, a young man of dubious dress sense, is with KITTY the restaurant's owner. Kitty is one of those women who appear in movies who are witty, intelligent, and incredibly attractive, yet somehow remain single. Willie opens a ring box, showing Kitty the diamond ring inside. Kitty gasps, as women sometimes do when they see a diamond ring. KITTY Oh my God, it's beautiful. WILLIE You think she'll like it? KITTY I really do. WILLIE The flowers, what if they wilt in the kitchen? It's hot in there. KITTY I'll keep 'em in the fridge. Don't worry about it, everything's going to be fine. WILLIE Sorry, just a little nervous. KITTY I guess it's not every day you propose to someone. WILLIE No, no it is not. KITTY Are you sure about this girl, Willie? WILLIE Sure I'm sure, why would you, why do you say that? KITTY There's just something about her, I don't know. WILLIE You know her? KITTY Not personally, no. I know of her. WILLIE What does, you know "of" her, meaning what? KITTY Just what people say. Some people. WILLIE Well what do some people say? You can't just say something like that and let it go. Are you telling me she's a slut? KITTY No, I didn't say she's a slut. WILLIE Just how many boyfriends has she had? One? Two? Sixty-seven? KITTY How should I know? All I'm asking is, just how sure are you? Any time you talk about her, you're vague. WILLIE I'm not vague. KITTY How long have you known her? WILLIE God. Why would you even ask that question? I've known her, all my life, it seems. KITTY You're right, you're not vague. It's gonna be fine. All you have to do is turn up. And make sure she turns up, too. Willie's cell phone plays a dinky tune, Willie smiles an apology to Kitty and fumbles to answer it. WILLIE (INTO PHONE) Where the hell have you been? INT. GRANT'S CAR, IN A PARKING LOT - DAY Willie and Grant. Willie fiddles with the digital camera, thumbing through pictures on the LCD screen. WILLIE You hid in the church all night? GRANT I'm sorry, I'm not as strong as you. WILLIE You're an atheist. GRANT That doesn't mean I can't believe in God when I need him. WILLIE You're sure it was her? GRANT I waited for two hours, in the bushes, things crawled into my mouth, she was the only other person there. WILLIE I'm not seeing her. GRANT That's what I'm telling you. She doesn't take pictures. WILLIE Now you're just being stupid. GRANT She's a ghoul, a creature of the night. WILLIE Now you're being really stupid. GRANT Am I? AM I? Why don't you ask her yourself? Why am I crawling around in dirt taking pictures of tombstones? Why don't you just ASK HER, DAMMIT! WILLIE I will. INT. URSULA'S STUDIO - DAY Chic, well furnished. Ursula sits at a table facing GRANDMOTHER (70s) and SKEPTICAL GRANDSON (30s). Ursula deals Tarot cards. Every time she turns a card over she pauses and seems to consider what it might mean. GRANDMOTHER I hope you don't mind my grandson being here. He insisted. URSULA It doesn't affect me at all. As long as you're comfortable with it. SKEPTICAL GRANDSON I just wanted to make sure Grammy is getting value for money. Since she seems to give you enough of it. URSULA Perhaps you'd like me to demonstrate? SKEPTICAL GRANDSON Oh, I really would like to see that. URSULA I'm not reading for your grandmother, Mr. Hutchison. SKEPTICAL GRANDSON What? URSULA These cards are for you. Would you like to know what they tell me? SKEPTICAL GRANDSON Oh boy, yes. URSULA Let's skip school and college, and the accountancy exam you cheated in. You've been married twice. Both marriages ended in divorce. You have no children, and never will have any. You should get your sperm count checked. Your career is about to take an unexpected turn. They're going to find out about the missing funds. Putting the account in your first wife's name, not clever enough. SKEPTICAL GRANDSON WHAT THE HELL IS THIS? URSULA The cards never lie, Andy. You've been a cheat and a liar and an abusive creep all your life. Karma has caught up with you. Skeptical Grandson angrily shoves his chair back and stands. He glares down at Ursula, who meets his gaze calmly. He storms out, slamming the door. His Grandmother flinches. URSULA I'm sorry about that. GRANDMOTHER It's me who should be apologizing. Grandmother smiles and leans forward. GRANDMOTHER Are there any new messages for me? END OF PARTIAL SCRIPTMENT
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